Teaching Background
Tim Bascom
I have taught in a
wide variety of settings, both academic and non-academic. While studying toward an M.A degree in
English Literature at the
Education
Thesis: Chameleon
Days: A Memoir.
Awarded Kenneth Rockwell Scholarship for excellence in the study of
literature.
University and College
Teaching
Full-time English
Faculty (
Composition I.
Introductory essay writing, from personal and expressive to formal
and scholarly.
Composition II.
Rhetorical analysis and writing to persuade.
Contemporary Literature.
A multi-ethnic comparison of contemporary novels and memoirs.
Introduction to Literature.
An
introduction to poetry, fiction, and drama, including a sustained
emphasis on literature from
Creative Writing.
An introduction to writing fiction, poetry, and the essay.
Teaching Assistant
(
Nonfiction
Writing: The Contemplative Essay.
Advanced creative
nonfiction for students interested in
contemplative, reflective writing.
Nonfiction
Writing: The Art of the Personal Essay.
Creative Nonfiction for juniors and seniors,
with emphasis on two
broad types of essays:
narrative-driven and idea-driven.
Accelerated
Rhetoric
An intermediate rhetoric course for students with high ACT scores.
Rhetoric I and II.
Introductory
courses on persuasive writing and
speaking.
Instructor (
World
Literature: African Perspectives.
A
comparison of major authors from
on parallels in the
writing of minority authors from the
Fiction Writing.
Short
story writing with emphasis on plot and characterization that
has literary depth.
The Short Story.
A historical and cross-cultural study of the short story.
Introduction to Literature.
An introduction to poetry, fiction, and creative nonfiction.
Expository Writing III.
Professional writing for juniors and seniors.
Expository
Writing I and II.
Composition and rhetoric.
Teaching Assistant (
Cultural Perspectives in Literature.
World literature, including African, Asian, and European authors.
Composition II / Introduction to Literature.
Essay writing in response to poetry, fiction, and drama.
Composition I.
Essay writing in response to issues in a thematic reader.
Workshop Training
Writing Fellowship
(Bread Loaf Writing Conference)2006
Assisted with writing
workshop, working alongside author William Kittredge.
Helped to critique student work and met with
students individually.
Workshop Leader
(Episcopal Ministries Retreat)2005-06
Led three day workshop on writing spiritual autobiography.
Institute Director
(Cook Communications Int'l, Chicago)1994.
Founded
the annual Cook Publishing Institute, which continues to bring
editors and publishers from
Africa, Asia, and Latin America to the
Writing and Editing
Trainer (Cook Communications Int'l)1987-1994.
Led
or helped to lead over twenty workshops for writers, editors, and
publishers in the following
countries:
graphic design, short story
writing, and publishing issues.
Additional Workshop
Experience
Resident Writer (
Led
creative writing workshops in
schools, and community arts
centers. In several cases, collaborated
with
art teachers and art
students to design and publish a literary journal.
Conference
Presentations
Trimming the Sails:
The Art of the Personal Essay. Festival of Faith and
Writing (
The Spirit of Travel: Intersections Between Travel and Transcendence.
Nonfiction Now
Conference (
"Strangers at Home: A
Writing Programs
Conference (
Two Rafts on the
Storytelling Symposium
(
"Culture or Confession: Stripping the
Memoir." Associated Writing Programs
Conference (
"Revelation, Revolution, and Regrets:
Writing from a Cross-Cultural
Background." Craft, Critique and Culture Conference
(University of
"The Chameleon's Eyes: A Missionary Child
Comes of Age in
Kinship and Cultural Studies:
10th Annual Cultural Studies Symposium
(
Departmental
Director
of English,
Organized and led monthly faculty meetings to
discuss teaching concerns,
grading issues, training
opportunities, textbook purchases, curriculum review,
course scheduling, etc. Also represented campus concerns at
district-wide
English meetings or
events.
Committees
Writing Contest Committee.
Appointed as judge for
an annual creative writing contest that offers prizes
to top creative writing
students.
International Year
Committee.
Helped to plan and
promote events featuring one country throughout each
academic year:
Writers
Gone Public: Student
Helped to plan,
organize, and promote, a once-a-semester, public reading
by top undergraduate
students from creative nonfiction classes.